Like a classic neon sign, the sentence: “I can see the whole room! … and there’s nobody in it!” is exposed, as the upper end on the roof edge of the newly built computer center of the Johannes Gutenberg University – the first part above the northwest facade and the second part of the sentence above the southwest side. During the day, the text appears dark like the façade against the sky; at dusk, the text glows a warm white.
A stainless steel ring with multiple twists hangs about 5 meters above the lawn and walkway in front of the dark shingled façade of the new museum building at the Friedland Refugee Camp. It is suspended with steel cables from the façade of the museum and from a free-standing pole. Nine life-size bronze pigeons sit […]
The jury, chaired by Dr Julia Wallner, Director of the Arp Museum Bahnhof Rolandseck in Remagen, recommends the design I can See the whole room! by Thorsten Goldberg for realisation.
Awarding authority: the state of Rhineland-Palatinate represented by Johannes Gutenberg University Mainz, Department of Planning and Construction Management PBM
Competition management: Michael Gahr, architect JGU PBM
Jury: Carsten Allenhofer, ZDV; Dr Ariane Fellbach-Stein, RLP Kultur; Sabine Groß, RLP Landesbau Finanzen; Prof. Dr Stephan Jolie, JGU Presidential Board; Kristina Kochs, architect JGU PBM; Katja von Puttkamer, artist; Dr Julia Wallner, Arp Museum Bahnhof Rolandseck
The jury chaired by Albert Weis unanimously recommends the design of the floating ring by Thorsten Goldberg for realization.
Awarding authority: State Construction Management of Southern Lower Saxony on behalf of Marcus Rogge
Jury: Christian Helwing, Artist; Dr. Carina Plath, Stell. Director Sprengel Museum Hannover; Renate Wolff, artist; Albert Weis, artist; Klaus Hausmann, Museum Friedland; Marcus Rogge, awarding authority, head of SB SN; Raoul Kunz, architect, dichter Architektur; Anett Janiszewski, awarding authority Baugruppenleiterin (Baugruppe 3), SB SN; Timo Herrmann, bbz landschaftsarchitekten
Competition management: Dagmar Schmidt and Robert Patz
Project management: Cornelia Henning, Mrs. Kruppa
https://de.wikipedia.org/wiki/Grenzdurchgangslager_Friedland
https://en.wikipedia.org/wiki/Friedland,_Lower_Saxony
The jury chaired by Dr. Eva-Christina Kraus, Director of the Art and Exhibition Hall of the FRG unanimously recommends the Instrument with Pigeon by Thorsten Goldberg for realization.
Awarding authority: Federal Republic of Germany represented by the Federal Ministry of Defense represented by the Office of Federal Construction represented by the Landesbetrieb Liegenschafts- und Baubetreuung Niederlassung Koblenz i. V. Arne Kalkan
Competition management: Christina Leineweber-Brockmann, Alexandra Laux
Project management: Jürgen Hillen BWZK Koblenz
Jury: Birgid Helmy, artist; Dr. Eva-Christina Kraus, Director of the Art and Exhibition Hall of the FRG; Prof. Barbara Wille, artist; Vanessa Henn, artist; Ulrike Hauröder-Strüning, Presidential board BAIUDBw; Reinhard Simon, Director ABB; Sven Nebgen, Wörner Traxler Richter Architekten
https://www.bundesimmobilien.de/bw-zentralkrankenhaus-koblenz-9792b2a73266234e
The theft of Thorsten Goldberg’s golden nest and the ignorance in dealing with this case – Martin Henatsch, Nov. 2021 in stadtkunst kunststadt
A new bus garage in Edmonton builds on the legacy of early 20th-century infrastructure buildings, conceived as architecturally ambitious expressions of civic pride. By Trevor Boddy, Nov. 1., 2021
in: Canadian Architect
Exhibition OUTSIDEINSIDE
20 years of Herbert Gerisch-Foundation, Neumünster
from May
Exhibition of the State Museum Schwerin
on the 850th anniversary of the cathedral,
Schwerin Cathedral from June 15 to October 17, 2021
After five years of construction and planning - starting with the 2015 competition - the work on the new Kathleen Andrews garage has now been completed. Due to the restrictions caused by the pandemic, neither the new building nor the art has yet been opened. But here are photos and a film from: David Dodge, GreenEnergyFutures.ca
Five topographic models of mountain-landscapes in the scale of ca. 1:1.000 - 1:3.000 depict geographic areas in different parts of the world, which are on the same latitude as the city of Edmonton in Canada. The corresponding longitudinal coordinates are written on the sides of the lanterns. Stainless-steel, each 7 x 7 m, Kathleen-Andrews-Transit-Garage in Edmonton, Alberta. Completion 2020.
Wystawa 10.5. – 21.6.2019
Projektraum Deutscher Künstlerbund
kurator: Susanne Hegmann
Uczestnicy: Dorthe Goeden, Thorsten Goldberg, Miriam Jonas, Hyun-Gyoung Kim, Gertrud Neuhaus, Michael Reiter.
a bird’s nest, cast of solid fine-gold twigs and a contractual agreement that allows the school to destroy the nest after a minimum of 14 years serves as a conceptual foundation for the new Fuchsberg primary school in the district of Berlin Marzahn-Hellersdorf and due to its economic value also as an investment for future needs of the school. Completed October 2018.
Presentation and hand over of the golden nest “24 kt” – art on construction for the new Fuchsberg primary school – to the school and the students.
November 16, 1 pm at the Fuchsberg primary school, Apfelwicklerstraße 4-6, 12683 Berlin Marzahn-Hellersdorf
29 września 2018 – 6 stycznia 2019
Muzeum Rzeźby Współczesnej
Kuratorka: Eulalia Domanowska, Współpraca: Henryk Gac
Uczestnicy: Magdalena Abakanowicz, Paweł Althamer, Ewa Axelrad, Sylwester Ambroziak, Mirosław Bałka, Krzysztof M. Bednarski, Michalina Bigaj, Włodzimierz Borowski, Tony Cragg, Tatiana Czekalska i Leszek Golec, Wojciech Fangor, Miłosz Flis, Władysław Hasior, Thorsten Goldberg, Jacek Jagielski, Jerzy Jarnuszkiewicz, Marek Kijewski i Małgorzata Malinowska “Kocur”, Jarosław Kozakiewicz, Edward Krasiński, Piotr Kurka, Alicja Kwade, Natalia Lach-Lachowicz, Daria Malicka, Jarosław Perszko, Marta Pszonak, Maciej Szańkowski, Martyna Szwinta, Sofie Żezmer
