Edition: Gilded concrete models on a scale of 1: 400 of the sculptures 53°30’N at the new Kathleen-Andrews-Garage in Edmonton on the occasion of the completion of the work in December 2020
Ultraviolet paint is transparent and invisible for us, but visible for birds. It prevents them from colliding with the glass and dying.
Stereoscopic photo on lenticular foil, three panels, 360 x 180 cm, 2012.
Group of drawings, ballpoint on paper, 27 x 35 cm, produced between 2010 and 2012.
Group of drawings, ballpoint on paper, 27 x 35 cm, produced between 2005 and 2011.
Blau Weiß (Blue white)—Group of drawings, ballpoint on paper, 50 xi 50 cm, produced between 2005 and 2008.
A recreated street light from the small town of Port Saint Mary on the Isle of Man, United Kingdom, 54°04’20.77“N 4°44’18.07W. Aluminium, wood, plastic, fog generator, 2012, height: 3 m.
Light-Object, a wooden box with mirror wall paneling inside, transformers, neon-letters, 100 x 95 x 70 cm, 150 kg, 2012
Light object made from neon outlines suspended on thin steel ropes, luminous blue, ca. 300 x 210 x 160 cm, chrome-plated steel sheets, 2011.
Two channel video projection on opposing panels, DV PAL, 8:30 hrs and 6:15 hrs. Produced during a 3-month stay in Wiesbaden, Germany, in 1998. Installation shown in the Kunsthalle Münster 2002.
4 channel video installation. Exhibited 2005 at the Fundació Joan Miro, Espai 13, in the series Obsessions, (zero % standard), Barcelona/Spain.
Historical Chart of the Accurata Utopia Tabula (J. B. Homann around 1700) with complete index as a backlit slide in a light box, stainless steel frame 195 x 145 x 3 cm, 2004.
Thirty flower vases, donated by friends of the Kunstverein, for thirty days of the exhibition. Kunstverein Eislingen 1995.