transparency is a trap

Ultra­vi­olet paint is trans­parent and invis­ible for us, but visible for birds. It prevents them from colliding with the glass and dying.


Stereo­scopic photo on lentic­ular foil, three panels, 360 x 180 cm, 2012.

Cloud in my hand

Group of draw­ings, ball­point on paper, 27 x 35 cm, produced between 2010 and 2012.


Group of draw­ings, ball­point on paper, 27 x 35 cm, produced between 2005 and 2011.

Blau Weiß (Blue white)

Blau Weiß (Blue white)—Group of draw­ings, ball­point on paper, 50 xi 50 cm, produced between 2005 and 2008.

54° street light

A recre­ated street light from the small town of Port Saint Mary on the Isle of Man, United Kingdom, 54°04’20.77“N 4°44’18.07W. Aluminium, wood, plastic, fog gener­ator, 2012, height: 3 m.

Rivers of wine & beer (compressed)

Light-Object, a wooden box with mirror wall paneling inside, trans­formers, neon-letters, 100 x 95 x 70 cm, 150 kg, 2012

Neon Cumulus

Light object made from neon outlines suspended on thin steel ropes, lumi­nous blue, ca. 300 x 210 x 160 cm, chrome-plated steel sheets, 2011.

Blackbird & Bluebird

Two channel video projec­tion on opposing panels, DV PAL, 8:30 hrs and 6:15 hrs. Produced during a 3-month stay in Wies­baden, Germany, in 1998. Instal­la­tion shown in the Kunsthalle Münster 2002. 

Things are generally different behind closed doors

4 channel video instal­la­tion. Exhib­ited 2005 at the Fundació Joan Miro, Espai 13, in the series Obses­sions, (zero % stan­dard), Barcelona/Spain.

Accurata Utopia Tabula

Histor­ical Chart of the Accu­rata Utopia Tabula (J. B. Homann around 1700) with complete index as a backlit slide in a light box, stain­less steel frame 195 x 145 x 3 cm, 2004.

Fräulein Eislingen

Thirty flower vases, donated by friends of the Kunstverein, for thirty days of the exhi­bi­tion. Kunstverein Eislingen 1995.